32-Bit Processing (Part 1)
What is 32-bit processing and why would you want to use it? 32-bit processing gives you access to a broader range of tones (more whites and more blacks, not that these are possible) and smoother gradations from light to dark. It's different to 8-bit which is what JPG files use, and 16-bit which TIFF and PSD files can play with. Let's have a look at the advantages of 32-bit processing.
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32-Bit Processing (Part 1) What is 32-bit processing and why would you want to use it? 32-bit processing gives you access to a broader range…
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32-Bit Processing (Part 2) After viewing Part 1 you'll understand what 32-bit processing is all about. In Part 2, you can see one example of how…
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3D Lut Creator When you get into editing colour, you may find changes you want to make don't seem to be possible with the colour…
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B&W Conversions Unless we're using an achromatic sensor, our files are always colour, so how do we convert them into black and white? There are…
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Blacks We're told we need a good distribution of tones to make a beautiful photograph - and this is true in most cases. However, even…
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Blend Modes - Part 1 If you edit with Photoshop, you have access to blend modes within the layers panel, but what exactly are blend…
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Blend Modes - Part 2 There are a number of popular Photoshop techniques that are based on blend modes. While many of them have been…
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Blend Modes - Part 3 Blend modes can be useful for both creative and practical editing. For instance, you can create a beautiful soft focus…
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Clarity If you're looking for a quick and cheerful way to give your image a little more punch and presence, clarity can do it, but…
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Curve Problems If you've attended a Dr Les Walkling workshop on Photoshop, he'll explain to you why Photoshop has some major problems with the way…
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Curves Although you mightn't realise it, most of the editing we do is based on curves, but using an easier interface with sliders! However, using…
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Filing How do you file your photographs? On a hard drive or in the cloud, of course, but what type of folder structure do you…
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L*a*b* Color You know what an RGB file is all about (red, green, blue). Well, there's another colour model that does things a little differently…
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Levels If you're struggling with curves a little, start with levels. In the levels dialog there are just three sliders to play with and you'll…
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Linear Curves Photographers who claim to love using their photos 'straight out of the camera' should start with a linear cuve - as it is…
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Luminosity Masking When we first think of making a mask, it's usually of a subject, like a tree or a person. Luminosity masking doesn't look…
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Monitors Instead of buying a new camera or lens, should you be buying a better monitor? In digital photography, no device is more important than…
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Raw Processing If you're working in Lightroom or Capture One, the fact you're processing a raw file is no longer obvious. Even if you open…
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Selections and Masking There's a good chance much of this tutorial will be thankfully out of date as AI masking and selecting improves - and…
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Selective Colour Our first choices when adjusting colours in Photoshop are usually a Hue/Saturation or Colour Balance adjustment layer and while they essentially do a…
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Shape, Sparkle & Pop Towards the end of the editing process, I often find my images have lost some of their original tonality and look…
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Sharpening - Part 1 The first question to ask yourself is, do you actually need to sharpen your photos, or are they quite sharp enough?…
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Sharpening - Part 2 Okay, so we've decided we need to apply a little sharpening to our photos - how do we do it? In…
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Vignetting I have been known for heavy vignetting in the past - it was a style used in the darkroom that I carried over into…
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White Balance White balance. Colour balance. Colour cast. Sometimes an intentional colour cast is exactly what we want, while on other occasions a natural colour…